Die with a T

It seems that everyone and their mother these days is banging on about philosophies of food – so maybe I will take a turn.  There was a time, way back, when I was in what you might call ‘diet panic mode’.  I was looking round the various options and all I could see was a load of contradictions. Eat lots of grains, cut out the grains – eat meat and you will die horribly, don’t eat meat and you will, um, die horribly – ‘X’ substance of any kind whatsoever will save your life, ‘X’ substance of any kind whatsoever will kill you and all the pretty girls will dance on your grave giggling . . . it just about did my head in.

I did notice two things though that have lingered with me. The first was exploring the so-called hypo-allergenic diet, which involves cutting out everything that humans are known to be most sensitive to, regardless of whether you are actually allergic to anything. The reasoning being that these are probably harder on the system in general. The interesting thing was how this corresponded almost perfectly with the food we actually evolved to eat way back (which is these days defined in the so-called palaeolithic diet – good luck with that one in modern society!). Both suggest that the optimal food is basically the simplest – many types of veg, fruit, meat, fish, honey etc. but go easy on the bread, grain, pulses, dairy, processed stuff, mystery chemicals etc. It was an interesting conjunction, one from a fairly direct modern science of allergies and the other from ancient history – and it was the only thing (=regime) I ever saw that rang at all true.  It made other rigorous options like vegetarian or macrobiotic or Atkins (or grapefruit, or starlight, or living on miso soup and lentils, or whatever other eternal crap is out there) look much less sound.

The other thing that lived with me was the ayurvedic approach that recognises that different people have different requirements, which suggested that any kind of culinary evangelism or carefully controlled regimes can be off-beam anyway! The ayurvedics will probably hate me though because instead of going ‘wow’ and following their system, that was my excuse to just give up listening.  Enough was enough – I was getting just too stressed out.  This kind of joyless calculation and endless worrying isn’t what food should be about.  After that panic mode was over, for a long time, whenever I heard some vegan frothing at the mouth on the subject or some earnest guy saying follow ‘X’ and save your soul, all I heard was a faint buzzing sound. I still do, though one must of course be open to all actual genuine information.  The hardest thing I ever faced in this business was overcoming my revulsion at the preaching and ideology and iamrightyouarewrong (not to mention the aggression and hate it seems to whip up all too often) to find any small kernels of actual info in there.

And then there’s the small matter of human instincts.  Go against them at your peril!  Maybe the reason the hypoallergenic/Palaeolithic ideas got through to me more than any other was because they seemed faintly familiar, from some primal place inside me that already knew what it needed . . . Not that I am a practitioner.  I hate absolutes far too much to ever align myself with any creed directly (absolutes must surely be one of the most poisonous and illusory aspects of human thought).  But it does offer some interesting ideas that can be thought about and built upon.  For me anyway.

These days, I am still somewhat ‘anti-diet’.  However, I do have a personal recipe for life that I try and follow (doesn’t always succeed, especially when I am busy and fed up, but I try!). It goes something like this: Know what makes you feel good and eat it!  Keep up with the facts as far as possible but if anyone starts telling you what to do, walk away.  Then cheer up and get on with life!  Being happy and fulfilled (not always easy I know) will do you more good than any diet I think.

Published in: on March 11, 2013 at 7:33 pm  Leave a Comment  

Can you heat your house in the winter using junk mail?

Having seen the budget news from posh-boy Osborne with his back scratcher and whip, I have a thought experiment – before I get on with anything more important today. Would it be possible to heat your house using junk mail? Given that you can get little briquette makers for recycled paper, just what would happen if you signed up for everything you could find of the spam, newspapers, catalogues, circulars, instruction manuals and other crap they are so desperate to send you for an entire year – would it be enough to power your heating for the winter in a modest way?

Of course, this presupposes a) a woodstove of some kind and b) some storage space, neither of which are a given these days. But aside from that . . .

I have no idea!  I might have to do some calculations . . .

Published in: on December 6, 2012 at 9:11 am  Leave a Comment  

Free PDF for download – Yellow Eyes

As well as the ‘official’ ebook free samples, I have released a PDF of the complete first novella in the collection Feather: Tales of Isolation and Descent.  Entitled Yellow Eyes, it tells a very dark story from Feather’s childhood, growing up in isolation with her eccentric father in the woods by the sea . . . and in the shadow of a maybe abandoned nuclear powerstation.  This is the story that lays the foundations for just about everything else I have written about her.

Download the PDF from the Eibonvale Press website.

Published in: on August 25, 2012 at 8:04 pm  Leave a Comment  

Back to School?

I don’t even go to school any more and haven’t for years – but even I am being driven spare by all these ‘back to school’ sales slapped all over everything. Trumpeting that message of doom and despair to kids everywhere with such unholy glee is just about the only thing in my life that has ever made me want to kick in a shop window!

Published in: on August 19, 2012 at 2:43 pm  Leave a Comment  

Novel teaser – The Windmill

Here is a brief sample or teaser from my upcoming novel The Windmill, after it was released on Facebook a short while ago.  This is the first glimpse of the work I have shown anywhere!  Who knows what could happen between now and finishing the book, but here it is!

 

Cars and London busses, all barrelling along, added to the scene and Feather finally got moving. This unpleasant junction was not what Camden was about. It was familiar enough but it told her nothing. Nothing of the essence of Camden that she wanted to remember. She hurried down the road towards the wilder heart of the place, quickly and uneasily slipping through the streaming streets – almost afraid to look too closely at the surroundings. Finally she passed under a sombre brick railway arch surrounded by high spiked fences and entered the Market – and immediately a new world closed in around her. A world where she hoped to find something that made more sense. This market sprawls in the middle of the town, among a tangle of railway bridges. This was a familiar place. She had been here many times before, she knew that. But even so, she could not find any kind of a map of the place in her head now. Indeed, this place seemed to defy mapping. Looking around at the colourful and untidy chaos of stalls and canopied shops, they just seemed to fit into the bizarrely shaped spaces between and under the railway lines like some sort of growth – which was what it was, she supposed. The feeling was that all you could do here was wander around the seemingly endless avenues, passageways and paths, mostly of smooth and incongruously old-fashioned looking cobbles, and see where you ended up.

The diversity of shapes and ways was only matched by the diversity of people and goods. Mostly it seemed to be clothes and trinkets. Oddments for a determinedly alternative and gothic heap of people. There was a bizarre mixture of cute and deathly here. Pretty pink lacy dresses with slogans about neutron bombs. Classic horrorshow skulls and death-masks. Black underwear in leather, all carefully impregnated with the gothic smell and exhibited under ultraviolet light. Serene mannequins in crazy wigs dressed in contrasting colours with more lace and more frills. Then there were stalls of ethnic trinkets, DVDs, anime, badges, bongs, lamps, furniture, Chinese food cooked in huge woks – and all this vibrancy set up under murky canvas or under the utilitarian brick or metal roofs of the old railway architecture. And all this under trailing wires of light bulbs or netting. This was contrasted with overflowing dustbins and dumped scraps of all kinds in the more out of the way places. An old bath tub filled with masonry fragments. Traffic cones cordoning off piles of timber and roles of plastic. All proving that, in spite of the Goth and counterculture veneer, this was a place with better things to do than fret about pristinity or image.

For Feather, as she slowly wandered through this bustling place, there was a feeling of something waking up in her head. Nothing as direct or concrete as a memory, it was just a feeling. A feeling of extreme familiarity. The realisation came slowly, but with tremendous force, and at last she bought a tray full of Asian food and sat down at a picnic table to think. This was home. These streets were her streets and this market was her market. This was Camden Town. This was where she lived. And this was where she had been found, a few nights ago, passed out in an alley, stuffed full of broken glass.

 

 

 

 

Published in: on August 17, 2012 at 9:26 am  Leave a Comment  

Feather is now available as an ebook – free samples

My collection Feather is now available as an ebook on Amazon and Smashwords, priced at a mere $5.  That’s a good price for 10 years of work, right?  :-)  More importantly, both sites are offering free samples, which can be downloaded to your reader or your computer.  Free samples is something I should probably have done ages ago, but hey – better late than never.  Smashwords is offering as much as 20%, which I hope will cover the entire first story, Yellow Eyes.

Anyway – I invite you to pop over to either of them and have a look.  Download it and have a read!

Here’s a few review comments (hey – I have to engage in promotion, you know!)

… David Rix’s writing style reminds me a bit of Clive Barker. He has the same kind of a sense of style and depth as Barker, and he’s capable of shocking his readers with psychologically and violently horrifying scenes, which reveal the almost animalistic behaviour of human beings (he isn’t as explicit as Barker, but he can shock his readers when he wants to and he does it skilfully). The dreamlike and a bit weird atmosphere also reminds me a bit of Clive Barker. There’s also a touch of Laird Barron’s sense of style in his stories…

…David Rix also has an uncanny sense of grotesqueness, which manifests itself in fascinating and unexpected ways. I have always loved grotesque and unsettling stories, so I was thrilled when I noticed that the author seems to be able to create an unsettling atmosphere with just a few paragraphs and carefully chosen words. This is one of the reasons why it’s possible that some readers may compare him to old masters like Arthur Machen, Algernon Blackwood and M. R. James…

- Sami Airola at Rising Shadow

…It’s the final stories, however, that are the crowning jewels and where David’s talent as a writer is on full display. Displaying a less cerebral style but still showcasing a sharp sting, this is dark and urban gothic at it best as we follow Tallis through the streets of LjubLjana. A tale of bleak and functional spaces – and one that might remind a reader of Gary McMahon or even the early stylizing of Clive Barker traversing the streets of Liverpool.

Overall, this is like one of the more magical books one might read in high-school, but bristling at the intersection of Horror and Slipstream. A strange metaphor for the authors character itself – and at turns mythic and seductive.”

- Matthew Tait,  Hellnotes

…The author has a very visual and engaging prose style that drew me right in. A lot of the settings are quite bleak: isolated beaches, concrete jungle cityscapes, the loneliness of Dartmoor, or half-empty halls of residence occupied by dirty, impoverished art students, for instance. There’s a touch of melancholy about these places, yet the descriptions of them are vivid and realistic so there isn’t an off-putting atmosphere of gloom. Instead there’s always the feeling that something interesting is about to happen on the next page…

…But these stories portray the world as largely unknowable. Meaning seems elusive and perhaps even impossible to find, and it’s certainly futile to search for it. It’s almost like reading anti-stories. I found this interesting and frustrating in equal measure. Because what is fiction for if not to help us make sense of an irreducibly complex world? Of course we know that life can’t be broken down to a few simple themes and moral lessons, but doing exactly that is part of the charm of stories…

…Feather is a mind-boggle. I can’t decide whether David Rix is being really smart or just annoying when he plays with the concept of the search for understanding. However it’s an entertaining kind of boggling, and I warmed to the character of Feather with her scarred innocence and cheerful practicality, whilst the stories themselves are colourful, strange and surprising.”

- Ros Jackson at Warpcore SF

Published in: on August 15, 2012 at 10:30 am  Leave a Comment  

Open Letter to the Royal Mail

Dear Royal Mail,

Primarily the question in my head at the moment is how anyone can possibly justify the following:

  • Value of items ordered from abroad: $24.22/£15.52
  • Maximum value for the exemption of Import charges: £15
  • Total import costs billed to me without so much as an embarrassed smirk: £12.54

Not exactly high finance I know, but it is the principle of the thing that bothers me!  Including the so-called handling fee (the biggest rip-off of all!), that is approximately 80% import costs if I have my maths right and I fail to see how that can be acceptable under any circumstances in a world that is increasingly embracing globalisation.  For 80% import costs, I hope you put the box up in a good hotel and handled it with only the best silk gloves (I will expect the vacation photos at your convenience?) – and I would have thought at the very least some info could have been provided so I have some idea what I am paying that 80% for!  E.g. address and sender of origin, declared description of contents and maybe X-ray and CAT scan data while you are about it.  That way, maybe I wouldn’t get this ‘ripped off’ feeling quite so strongly whenever I am forced to import stuff from abroad.

We live in a world where borders are increasingly irrelevant and where the globalism of life is increasingly changing the world for the better – all of which might be called the first tastes of one of the most important stages in human development since we started farming.  Things are possible now that would have been unheard of only a few decades ago – such as the cross-pollination and inspiration of cultures and the ability to explore areas, concepts and objects that were previously denied to us.  It is a shame then that the boarders themselves and those involved in crossing them don’t seem to have heard of all this.

Published in: on July 4, 2012 at 3:23 pm  Leave a Comment  
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Do we Make Art because we are Naked?

I have long been puzzled why humans are naked – without fir – and, I am relieved to see, I am not the only one as it is a bit of a general scientific puzzle as well, in its shadowy way.  The few people I have talked to about this basically give me odd looks – as though I was questioning something that didn’t need to be questioned.  But the joke is on you really, because none of you have ever been able to give me a convincing answer.  “I’m not naked – I’m fully dressed” is one puzzled reply you will hear regularly.  “We lost our hair when we started to wear clothes” being another – apparently forgetting that the more ‘primitive’ peoples (horrible word but you know what I mean) are often still naked and for some reason are nevertheless not covered with hair.  Losing hair must take a lot of evolution and a very distinct evolutionary reason, and have we really been wearing clothes for that length of time?  Hardly.  I know that these days it seems as though they are an essential part of life, but evidence proves that hair loss and the first clothes were separated by a huge period of time.  According to some very clever analysis of the evolution of lice[1], we may have lost our hair approximately 3.3 million years ago[2].  However, the most ancient estimate for when we started wearing clothes (again based on analysis of lice evolution[3]) is only 100,000-500,000 years ago.  Which completely blows out of the water any notion that we intrinsically need to wear clothes for protection because we are naked – at least in our original form.  This is very strong evidence that we formed into more or less what we are today and then eventually started covering ourselves.

Some of the more serious scientific theories on hair loss don’t make a great deal of sense either.  We lost our hair as a reaction to parasites?  Why?  Every creature has parasites.  We were once an aquatic species?  Why?  We are not that well adapted to the water really – our skin is not waterproof (witness our prune-like fingers when we have been in the bath too long) and we can neither see very well under there nor move very efficiently.  Our feet pads, very efficient at walking and scrambling on the ground[4], are suddenly very tricky when walking underwater.

The best theory for our nakedness actually involves a somewhat less-obvious influence.  Sweat.  Humans are great sweaters – compared to other animals.  The dogs for instance, don’t sweat at all.  This theory states that we evolved our naked skins as a part of a general improvement in the mechanics of sweating, probably in response to our movement into the hot dry environment of the African Savannah, coupled with our need to hunt during the day, out in the hot blazing sun.  With our profuse sweating, fur would have the negative effect of trapping the water (and the heat) on our bodies rather than letting it evaporate away, which has a strong cooling effect.[5]  Therefore, a suitably toughened naked skin and sweating is more efficient than any beneficial shading/protecting effects of fir.

It is important to remember that the ‘original’ skin appears to be the darkened skin, which, it appears, evolved its colour as the hair was vanishing.  Which makes absolute sense as the dark pigment melanin is there specifically to protect against the sun – far far better able to cope with it than my white skin or the fragile skin that exists under fur.  So, one can picture early man as a dark and tough-skinned, naked creature possessing a very efficient radiator system as it hunted for prey millions of years ago.  Interestingly enough, if we had evolved as a vegetarian species, we might never have made that change and might well have remained as hairy as a chimpanzee.  But then – if we had evolved as a vegetarian species we wouldn’t have evolved to be what we are now at all.  Incidentally, it is true that the Chimpanzee is also an omnivore and hunts meat but it forms a less important part of its diet than it does us – and also the chimp is a forest creature, where the blazing sun was not such a problem and thus never forced a change like this.

But there is still a mystery here.  Maybe the question should now be, why is my skin white and fragile and generally useless, burning at the drop of a sunbeam, rather than why do I not have fur to cover it?  My own skin is as pale as it gets – the so-called type 1 or ‘Celtic’ skin[6].  If we take a hypothetical dark skin as the original skin – at least, original after we lost our fur – then what the hell happened to create this race of fragile white variants?

Not surprisingly, skin colour is tightly bound up with certain factors of sunlight and geography.  According to the ideas put forward by Jablonski & Chaplin[7], the variation in skin colour derives from the balance we have to strike with UV light from the sun.  Put simply, when the sunlight is very intense (which it is where we first evolved), a lot of melanin is needed to protect us from the intense rays, but where the UV rays are less, less is needed – and indeed, less is desired, for we need a certain amount of UV on our skins to build the essential vitamin D.  So it could be that the adaptations in skin colour are simply the human body maintaining its balance with the sunlight that is available.  So, as humans moved northwards into the great forests of Europe (which is where the lightest skins of all evolved and where direct sunlight of any kind would not have been much of a problem) we simply lightened to match the reducing sunlight and UV intensity, to maintain our needed level.

It is interesting to note that some of the most northerly people of all, the Inuit, still possess fairly brown skins and Jablonski and Chaplin suggest that this is because of the high prevalence of fish in their diet, which is rich in Vitimin D, meaning that there was simply no need to change their skin colours.  Evolution needs reasons for things to happen, after all.  One could maybe speculate that the lack of shelter from the sun up there (in contrast to the north European woods) might also have something to do with that.

Also, this is much more recent in history.  At the time of humanity’s movement intoEuropeand across the world, clothes had been around for a long while.  I already pointed out that clothes probably first appeared 100,000-500,000 years ago, which was long before the first humans left Africa (70,000 years ago) and, therefore, before the first white skins appeared.  Humanity reached north Europe 40,000 years ago and clothes would have to be available to survive the cold.  So this means that our clothes may well have had a physical effect on us after all – certainly not making us naked, but perhaps helping us turn white!  By a) giving us more protection from the sun and b) possibly by covering up skin and maybe limiting access to the UV light that we need.  So, even though it had nothing to do with our hairlessness, we can maybe credit clothing with assisting us change colour – as a part of our ability to survive in these cold climates.  That may upset the nudists a bit – but even so, it shouldn’t be taken to mean that modesty and concealment is an intrinsic part of us.  We had almost 3 million years with naked skin before we started covering ourselves.  It’s worth remembering that.

*    *    *

But what of the hair that we do have?  To me, there always seemed something decidedly bizarre about the great unruly mop of hair on our heads and the three tufts that remain on our body.  However, pubic hair and armpit hair do make sense.  Pubic hair can be quite easily seen in the role of a visual indicator of sexual maturity and both function as a kind of ‘radiator’ or distribution system for pheromones, thus acting as an important element in sexual attraction (and witness then the irony in our mysterious modern fashion for shaving these last poor tufts of hair right off!).[8]  Some say that pubic hair acts to protect against external friction during sex and may even have a role in keeping our rather sensitive bits warm[9] and protected.

But the hair on our heads?  This weirdly huge lanky mop of the stuff on our head that trails everywhere, needs endless attention, gets tangled and probably ends up right over our eyes when we least need it?  Well, there is a theory on that issue that says that our mops of hair evolved in response to sexual selection – the reinforcement of certain characteristics by acting as criteria in sexual attraction[10] – which of course pans out to cover all areas of interaction, status etc.  Or, to put it another way, we found long hair sexy!  This makes a certain sense.  After all, the hair on our heads was probably always a very effective flag – almost exactly like the peacock’s tail and the lion’s mane – and indeed, many monkeys still function in this way, with manes and elaborate facial hair.  So no surprise that it should linger while the rest of our body lost it.  As we lost our hair, something had to remain to fill the role that fur and its colours and condition play in courtship and other interrelations.

It’s worth noting that hair is not quite the fragile, attention-needing thing that we think it is.  We wash it and cut it all the time to keep it ‘nice’ and out of our eyes, but it seems that fundamentally, this is not essential.  People, myself included, have experimented with what happens when you don’t wash hair with soaps and chemicals, and the results are interesting – and maybe worth fanfaring out at high volume: We don’t need to wash our hair!  Normal human hair is quite capable of looking after itself with the same kind of washing that other animals use – clear water.  In fact, it is probably considerably healthier, both for the hair and the scalp.  The more we mess with our hair, the more the texture deteriorates, but we are driven to do it by our cultural demand for a totally sanitised and clean shiny product.  Just as we negate the effects of our under-arm scent radiators by using deodorants.  Natural hair has a slightly thicker texture, is heavier, but is really not unpleasant.  What is unpleasant is the transition phase when the scalp, used to compensating for the debilitating effects of shampoo, continues pumping vast amounts of oils in there until it recovers its equilibrium.

*      *      *

So – now there is still one big question left.  Why, having ended up a naked creature as part of a natural process, are we now compelled to cover up again using artificial means?  What the hell is it with humans and clothes?  After all, under normal circumstances, we don’t treat clothes as a protection as much as a way of hiding ourselves.  We are addicted to them to such a degree that removing them is just about the most traumatic thing that can happen to you.  Why?  Their use for protection and warmth seems obvious and we would have needed them especially when we ventured into cold climates – but is there more to it than that?  We lasted almost 3 million years stark naked but then something happened and clothes appeared – not when we moved north into the cold but long before.  ‘Clothes appeared’, the theories say, but they don’t bother to explain why.  What was it that suddenly prompted us to make use of this after three million years?  Why did we suddenly feel this need for dressing ourselves?

Obviously, something happened in the human brain to change things.  Was it simply that our brains and abilities finally progressed to the stage where we could do something to protect ourselves from all the prickly plants we had to run through?  Maybe.  That’s the classic view after all.  But there is a shadowy suggestion of something else – another possible reason.  After all, what made our brains progress like this in the first place?  My own speculation (and it is only speculation) is that clothes for protection was not the first thing to appear.  And I think that clothing and our dependence on it strikes right back into the processes that first formulated us.

To begin with, there was nothing but ourselves and our own visual signifiers.  Our relations, the monkeys, are the same, also relying a lot on visual signals for interrelations of all kinds – usually either or both fine colours or/and truly spectacular backsides.  And, even though we had lost our fur, we still functioned in the same way.  Our head of hair remained and we still maintain a quite noble backside and its attractive force is every bit as powerful as it is for other primates.  However, out on the plains, there were other forces at work for humans.  After all, the really significant thing about humanity – the thing that allowed it to survive – was far from just physical prowess or condition.  Humans are a pathetically helpless species in their bodies.  Our strength, speed and ability are a joke, we have no natural means of defence, fighting or camouflage – so really the only thing that we have going for us are our brains and our able hands.  So, with us slowly evolving from a state similar to hunting dogs and their intelligent pack hunting into increasingly complex minds, something began to change.

Sexual selection is when a characteristic is reinforced by becoming a criteria when choosing a mate.  Like the peacock tail that confused Darwinso badly.  Of course, this also leads to such things having relevance within social structures, but sexual selection appears to be the fundamental driving force according to many[11].  And, in this newly evolving creature clever enough to survive and overcome its bodily limitations, what was the most important thing when selecting a mate?  Those physical characteristics?  A fine arse?  Beautiful hair?  Of course, those would never vanish, even through to today, but that was not the whole story.  There was also brain power.  The intelligence that allows you to survive and manipulate the world in order to do so.  It is suggested that the brain also became a sexually selected characteristic early on – presumably long before clothes[12].

So how then do you ‘prove yourself’?  How do you help give yourself an edge over your competitors, with the help of these lively new brains?  How about creativity?  What do humans do even today to express love and interest?  Why, you smarten yourself up, ‘look good’ using little tricks and arty touches – and make/get something for the object of your desires that is ideally more beautiful than anyone else can.  Even now, in our cynical modern times, we all know the glow of being on the receiving end of that.

I think the significance of this simple point just cannot be overestimated.  In the practical world, one proves one’s capability by doing things and achieving things, but in the quieter world of interactions with people (including courtship), it can take on other more aesthetic characteristics.  I think, right here, we see the origins of art – as an offshoot of the need to prove ones lively brain and driven by nothing less than sexual selection itself.

This makes the foundations of art basically an extension of the peacock’s tail or the lion’s mane into the brain – into a person’s creativity and ingenuity – and, therefore, survivability.  And, when we began to find intelligence and creativity sexy, that opened up the door to unbelievable things.  What happened to the peacock’s tail happened again to our own minds, driving us to get cleverer and cleverer and ever more creative – cleverer and more creative than we ‘needed’ to for basic survival out there on the African plains – eventually leading to – well – to you.  One can perhaps trace all our art back to this simple beginning – this original powerful reason.  And also trace creativity/art as one of the most fundamental driving forces behind our progression.  All our sense of creativity and, specifically, of flaunting that in an abstract way for its own sake, which is what art is.  All our symphonies and paintings, novels and fashion design, glamour and rock musicians masturbating guitars – it all zeros straight back to this simple drive.  The same thing that drives every other species on the planet.  Given the power of sex in driving the actions of both men and women, it makes sense that our whole drive towards the earliest culture was sexually selected, as some have suggested, just as our brains and our cunning and creativity were.

I am speculating now of course, but I suspect that our creativity grew with us from the very first.  Has always been there, in fact.  The first dawning of aesthetic awareness even goes way back beyond humanity.  We can see it in other animals, even relatively frequently.  From the magpie picking up brightly coloured things to the bower bird building it’s beautiful and elaborate bower with the only purpose of impressing the female with its appearance.  And maybe the aesthetic sense is even more primeval than tool use or manipulating the world in creative ways to achieve things.

After all, being interested in a rock in an abstract sense – as an object – must surely have immerged before turning those rocks into stone tools.  We would have had toys – things we played with.  Things we liked to have around.  And this would slowly develop into a sense of ornamentation.  And, inevitably, self ornamentation.  Ornamenting yourself for artistic rather than practical reasons is universal in all humanity today – more universal than actual keep-warm, modesty-protecting clothes are.  So could it be that it was the art – the ornamentation – that came first?  A self-ornamentation driven into existence by sexual selection, with the practical uses of clothing for protection developing as a secondary result of that?   Especially when humanity was confronted with cold for the first time.  Who knows!  The two dance together of course – the practical and the desire to be creative – and there is really no distinct division difference between art and the practical, so it probably all happened together.  But seeing our artistic instincts as the driving force, propelled by sexual selection and as the fuel behind our development does make a certain sense.  After all, when you look around the tribal societies of the world, even the most ancient, what do we see?  Not the shabby scruffy caveman image wrapped in a few skins, but a riot of crazy colour and decoration, often for no direct practical purpose.  So why shouldn’t that creativity be the fundamental?

Regardless of how they first appeared, the role adornments and clothes played in the sexual selection process is now fairly simple.  As we progressed down our logical course of appreciating increasingly elaborate creativity and self-adorning as proof of a lively mind, what you wear would only become more important to courtship, status and everything else in the group.  Showing off your beautiful hair would be supplemented by the tunic you made and the beads you wove – and you would have to wear them, otherwise you would feel inferior because maybe your competitors have them and would be more likely to get the sex or the appreciation or the respect!  And it is easy to imagine this need for adornment eventually flipping over further and further into a dependence on clothes and the fear of their absence . . . and then backflipping further into the more damaging area of an obsession with covering yourself for its own sake . . . and then of hating the uncovered flesh.  The body itself rendered unworthy.  And onwards and downwards through the infinitely complex tangle of humanity since these early times through to the mess we are in now!  These dreary confusions still bother us, but hopefully they will prove nothing more than a by-product of our super-fast evolution, which will eventually fade away as we slowly get more and more intelligent – always assuming that we continue to progress and don’t stagnate in our post-evolution society, which is very possible.

*     *     *

Do we therefore create art because we are naked?  Of course not!  We really shouldn’t give nakedness that much credit.  It appears that being naked is largely incidental to our development – simply a change that came about to fit us into our world better – like all natural changes.  Would we still have developed the same attitudes if we had retained our fur?  Would we still frantically hide ourselves in the same way?  I don’t know.  Maybe it’s a meaningless question.  But in my heart I almost think we might, because maybe clothes are not about hiding skin, but about creating the illusion of what we are.

Maybe the fact that we are artists is the most profound thing about us – not the fact that we are naked artists!


[1] Let’s hear it for the scientific mind!  That’s just bloody brilliant!

[2] http://en.wikipedia.org/wiki/Hair#Evolution

[3] http://en.wikipedia.org/wiki/History_of_clothing_and_textiles

[4] when toughened up as they should be.  Our shoes and carpets make for very soft fragile feet, which shouldn’t be considered the norm.

[5] http://en.wikipedia.org/wiki/Hair#Evolution

[6] There are six grades of skin colour.  See here: http://en.wikipedia.org/wiki/Skin_colour#Skin_tone_variability

[7] http://en.wikipedia.org/wiki/Human_skin_color#Evolution_of_skin_color

[8] http://en.wikipedia.org/wiki/Pubic_hair

[9] Presumably in the sense of reducing the motion of air over the skin in these areas, allowing body heat to remain.

[10] http://en.wikipedia.org/wiki/Hair#Evolution

[11] http://en.wikipedia.org/wiki/Sexual_selection_in_human_evolution#Culture_and_sexual_selection

[12] http://en.wikipedia.org/wiki/Sexual_selection_in_human_evolution#Culture_and_sexual_selection

Published in: on May 9, 2012 at 1:04 pm  Comments (2)  

‘Feather’ is Published

Well, let’s see.  I can’t remember how long ago it was that I first told the world that this book of linked stories existed – several years at least.  But even before that, it has been sitting there at the back of my brain for almost as long as I can remember.  At least 10 years.  And now, just today the proof copy of the book finally landed in my hands.  I will leave my reaction to that moment to your imagination.

It is scheduled for launch at FantasyCon 2011 alongside Nina Allan’s book The Silver Wind – also a linked collection.  The two titles make a great pair I think – both located in the quiet and haunting suburbs of slipstream.

Feather is a follow-on from my earlier book What the Giants were Saying, also from Eibonvale Press, though I am stunned just how much water we have all passed since those days (*ahem*).  Feather is a very different book in just about every way.  Where Giants was a lively and showy fable, these stories are much more emotionally-centred – which to me is more successful since that is what the act of writing should be about.  These are stories that have been with me through a lot of living – slowly developing over the years, not to make some cerebral point but to explore the bittersweet blend of pain and magic that is living life – encountering people, interacting with people, visiting new places, loneliness, love . . .  In Giants, Feather was a didact, wanting to show the world something that the world seems to have forgotten – but in Feather she is much more human and fragile.  Much more real.  During the course of writing this book, Feather the person developed from being a puppet I could use to enact a role to an expression of true human innocence, at least to me – someone who could stand for the essence of humanity, which I could then collide with the real world, hopefully revealing things about both.  So while Giants was an almost fun romp, Feather is an emotional journey – a deeply personal exploration that still hurts me, in spite of the levels of writers imagination that separates me from the stories.

It was with some appropriateness that Pete Tennant got in touch recently with an Interview for me and Eibonvale Press (read it here), among other things including the almost inevitable question on self-publishing.  That is not the first time I have discussed that matter, but this gave me a welcome chance to make my views known in the run up to releasing Feather and why I chose to let my own press handle the book.  Essentially the problem people have with self-publishing is the lack of a verification process, but I don’t believe for a second that that renders the act inevitably negative.  It all depends on the writer’s attitude, I think.  In the case of Feather, it was read, picked over, criticised and edited by three people involved with the press and several others as well – all of whom played a very valuable role in preparing the book for release and encouraging me to get my arse in gear and actually do this.  In essence, this means that Feather was ‘accepted’ three times – which probably makes it a more verified book than many published in the normal way.

With the book actually in my hands, I feel quite stunned.  Almost ready to cry for some reason.  I think that until this moment, you never quite believe that this thing is real – that you are creating a book as opposed to some weird thing inside your head.  And that’s another marvellous thing about being directly involved with the printing – the fact that you can see your creation all the way through to a physical object that you can hold.  Like a sculptor maybe.

But anyway – here it is at last.  Feather.  My own piece of bleeding heart nicely framed and nailed up on the wall for you all . . .

Published in: on September 15, 2011 at 7:43 pm  Comments (1)  

10 Weird Things About Me – On Request.

I have seen this on a few blogs. And when I mentioned it to certain friend of mine it became apparent that I wasn’t going to be let off the challenge either. Still, when you get right down to it – what could be more fun than trumpeting your own strangeness? It’s a sort of advertising after all. In fact – I hereby extend the challenge onwards to everyone else I know. See if you can outdo this bit of shameless weird-propaganda! Do it!! Now!!!!

01 – Collector’s Instinct.

Yes yes – my collector’s instinct is VERY pronounced. I am not happy unless I have filled MORE than every inch of available space with things I love. I personally suspect that it is a result of not having a ‘life’ – but hey, a shelf full of books and thundereggs makes an ok substitute for a girlfriend . . . at least until I go home to Neptune and find one . . . *sigh*


Have I just revealed a few more weird things about me?

02 – Microsnail Collecting

Just that. I am a conchologist with a special interest in land dwelling species and a special special interest in the microsnails. These aint the sort that eat your lettuce or your hostas – so please, no cracks about your garden, ok? You might have some in your garden, but if these ate lettuce, they could eat for a year and you wouldn’t notice. These are only just big enough to be distinguished as snails with the naked eye – as opposed to, say, sand grains. Maybe that’s why I like them so much. These tiny things, with such delicacy in their structure – and most people would live their lives without ever knowing they exist. To them, snails are only those big cute round things that live behind their shed. Ach!!

How I find them . . . well, that’s another story!

03 – Rearing Giant Silkmoths

I used to do that, until they began to distress me. It was the adults that were the problem. The Caterpillars were great things to rear. They are simple creatures, who want nothing more out of life that to be surrounded by food. But when they hatch out into adult moths, they turn into something else. I had some Indian Moon Moths once. The caterpillars were huge – fat prickly green things – so large that you could quite clearly hear them eating in the night – munch munch munch. But the huge adult moths had something else on their mind. Sex. In fact – it was the only thing on their minds. They don’t eat and they only live for a week or so, so their entire adult lives are devoted to this one thing (sort of like a few people I know really). They attract their mates using smell. The only problem was that for some reason, all I got in my hatching were females. They spent their brief lives sitting on my curtains hopefully calling for a mate – and there was none. Their smell couldn’t quite reach to India, apparently. That seemed so sad . . . I never reared moths again. Or any pets, come to that. They’re better off among their own kind.

04 – No School

How’s this for weird – I never went to school. Well – ok, I did briefly, but I managed to escape after only a few years and before the worst damage was done. It left me to learn my way at home – which largely failed miserably and/but left me the strange hyper-creative social and worldly outcast that I am. The result is predictable: I am unable to fit in to anything – get on with anyone – and even less mesh with the world enough to have a real career of any kind. And, you know – I wouldn’t trade that for anything! I regard school as . . . well, ok, it aint the worst evil in the world. But it’s defiantly up there in the top dozen. It’s the great corruptor that takes innocent people and ruins them to fit into a ruined world. It’s the megaphone and control rod of a culture where free-thinking and non-conformity are still out on the fringes and where we all bow to the lowest common denominator. It’s a civilization-creating machine. And that alone makes it dangerous. I count myself lucky that I avoided it – even though the result has made my life very difficult and endlessly painful and brought me near to suicide on several occasions. It may be that the things that are really important to me will not do me many actual favours in life (aside from keeping me sane perhaps) – but I would rather that than be broken on the wheel of civilization . . .

Remember that next time a big issue seller calls to you plaintively.

05 – Down with Absolutes and Beliefs – Up with the Contrariwise

Question everything!

Why should I?

You tell me. I kind of like these twisted, self-contradicting philosophies. Never say never is another good one. They seem to sum up the tangled web of the reality of the human condition far better than any direct ideas, laws, creeds or defined behaviour patterns can. Humanity loves absolutes. Throughout history it has built its entire civilization, its ideas, its beliefs and its codes of law based on them.

It’s kind of a shame that they don’t exist, isn’t it . . .

I freely admit that I am a bloody minded and highly annoying person to discuss things with – since one belief I flirt with is that I don’t believe anything. No right and wrong, black and white. No absolutes. Accept nothing as direct truth. But of course – am I sure I believe that? Maybe I am not sure I believe it, meaning there are things I do believe in, in which case, how can I believe in nothing as I believe I should.

Believe me, this aint easy. It’s not lazy or somehow renegade. Not an excuse for behaving badly. But truely thinking for yourself – in some rarified world devoid of all preconceptions – must be so pure and fine and nice and etc. Outside of the protective cage of dictated moral codes and ideas, your brain would start fluttering like a bird suddenly released after years in a cage. It’s probably scary because suddenly you are away from those absolutes. Those blacks and whites. And you realise that you have to start making decisions and judgments yourself. And also discover that maybe sometimes, you just cant. Shouldnt. A glorious eden of thought. Do you believe that’s impossible? Sorry – impossible is an absolute, so impossible itself is impossible! The problem is, when you set out with the belief of thinking for yourself, all too often you end up trying to think for everyone.

One day I’ll figure all this out!

06 – Strange Food – Fantasy and Reality

I suppose I could have eaten those moths though . . .

People’s attitude to food bewilders me. There is so much out there that is edible, yet people eat so little – are even shocked by it, sadly enough. Whether it is eating guniepigs in Peru or Cats in china – poisonous puffer fish in Japan or honeypot ants in Australia . . . I dream of trying them all! And why not? Humans surround themselves with their strange morals but you don’t have to go far to find how hollow they are. Humans have this tendency to preach disgust at the ‘barbaric’ act of eating a cat while cheerfully tucking into a nice steak. Cringe in horror at the thought of chomping a spider while shovelling down a nice prawn salad. Nope – I don’t understand it either.

And think about this: A walk through a seafood market in china might make most British hair stand on end. But in all probability we catch all that stuff anyway – or whatever its equivalent is in our waters. The difference is that here it is all just slung back dead after they have picked out the handful of prawns that they can actually sell to us useless pathetic cretins. So who comes out tops then I wonder?

Bring ‘em on, say I! I want to experience them, before I die.

07 – I Respect Anime

Credo in animaris japonicus. Nyuuu?? What can one say about anime? Well ok – it aint THAT weird to like anime. Lots of people do – with varying degrees of embarrassment. It can be an alarmingly simple and formulaic art form sometimes – very much of the ‘establishment’. But the thing itself is weird to us western chumps and for one very simple reason. The Japanese seem to have very little concept of ‘high’ and ‘low’ art. The west can be hideously snobbish in its art. And somehow the art plays along with that. Dumb art is dumb art – beneath the attention of the serious-minded. And there is a huge distinction between the serious works and what is ‘just for fun’. Japanese anime just invites you in to a whole world where this snobbishness and distinction is just . . . not there. It all rubs together in one great equality-filled heap – the arty stuff not afraid to have fun and the silly stuff not afraid to take itself seriously in a strange way. And serious things can be said simply and daft stuff with unimaginable challenging complexity.

And all of it is very relaxed and accepting about what it is.

All this is more than can be said for ANY art form in the west. Trying to find an equivalent in western writing would be like having Samuel Becket writing mills and boon books while The Beano delves into Clive Barker style exploration of death and Hercule Poriot attends high-school and finds extraterrestrial romance. Oh and I must not forget The Lord of the Rings by Playboy!

Put THAT in your pipe and smoke it, critic-san!

08 – I Dream of Flying Underwater but Refuse to Learn to Drive

I have a submarine, you know. I do. Really! A small one. It looks like a small, stubby winged plane, but this is a plane for flying underwater. You can just squeeze two people into it and you have to lie on your front to drive it. It cant go very deep – but so what? I have had fun with that submarine. Every night, I get in it and slide into the sea. I have helped Croatian girls illegally enter this country. I have attached limpet mines to Chinese warships. I have snuk into the Thames and spooked drunken Londoners. I have weathered storms in the north sea safe on the seabed and buzzed oil rigs . . . it’s great. Everyone should have a submarine. Better than cars any day!

Who would want to drive?

09 – Bare Feet in the Snow – In the Street

Sadly that is a thing of the past. My rebel outdoors days are fading. I no longer go out without shoes (well – I no longer go out much with shoes either). I have fond memories of tramping round college barefoot – I once got thrown out of the local restaurant for it (I never did work out why bare feet should be against some sort of resturant code . . . ).

I cannot survive in shoes for too long. Shoes are depressing things that we wear to protect ourselves from our own mess! When I was in Slovenia, the fight I had to go through to prevent polite people giving me slippers to wear indoors – they were horrified! To them it was the sort of pathetic state of affairs like being in bed but not having any covers. The sort of situation that should be remedied by a friendly gift, bless them . . . But I loved it. And I fought. And the good people of Slovenia gave me very odd looks.

More fond memories, of the snow this time – a foot deep and minus 23 degrees (this wasn’t England!). I kid you not. That is hardcore barefoot weather. Ok, it was only to the woodshed each evening – but it was enough to get me a reputation for some reason . . .

10 – I am Not Going to Become a Terrorist or Activist.

I consider this highly weird of me. It’s easy to explain why people become terrorists. And even easier why people become activists. It’s a fairly predictable reaction to a world that really does its level best to make people very angry indeed. It makes me angry too – and you note I certainly don’t include THAT among my weird traits. Like so many others, when I read the steady stream of news items detailing the next dumb thing that has happened – the next pointless law introduced – the next example of humanity’s closed minded and thoughtless, unempathetic attitudes – well, perhaps I DO yearn to do something about it. To jump up and down and shout till my face goes purple and my spittle starts flying across the room. To banish humanity to its proper place – a pest that needs to be exterminated like the stupid vermin that it is. Not for any political reason – simply because it is true. Simply because humanity urgently needs a kick up the backside.

Unfortunately I have argued myself rather beyond the point of believing i can do anything about it – even in some sort of fantasy world wher ei could actually do things (like my dear character Richard Jarvis). Terrorism has largely failed to realise that it is a pointless exercise and even activism only seems to work if you tell people what they want to hear. The world – well, the western world – has progressed beyond the stage when one can influence them in any way. The evils of the world are usually no longer concentrated in a few people tor entities hat could conceivably be removed/sacked/exiled/blown up/have their minds changed. Instead, we have a system – a decentralised network of culture and ideas – and the reason that decentralised networks are so popular online is because they are impossible to take out! The modern malaise is something far beyond leadership or the government or authority figures. Who can really blame authority? They don’t seem to have any power to change things, even if they wanted to. Perhaps this is a network that consists of the ideas and outlooks of every soul living here. We really have achieved a sort of democracy – a world governed by the supremacy of the most ordinary. Resistance is futile – resistance is futile –
And how can you talk to that? How can you influence that and attempt to make any changes for the better? Instead, this whole business has become a play of slow-moving fashions that rarely do anything revolutionary or radical. If you want to go against that fashion – if you happen to think there is more wrong with the world than the obvious things like the certain types of discrimination or mess it is fashionable to complain about and ignore, then you will quickly find out how unbending and set the world is. That’s how i see it anyway. It’s very gloomy.

Q: So what can you do?

A: I haven’t a friggin’ clue!!

Published in: on August 6, 2010 at 1:36 pm  Leave a Comment  
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